Dick Seaman TV programme - UK Channel 4
#1
Posted 03 January 2004 - 12:14
20:00 Mon 12th Channel 4
Nazi Grand Prix
Documentary about the birth of modern Grand Prix motor racing in the 1930s, its domination by Germany and the racing success of the young English aristocrat, Richard Seaman. Mercedes won the Berlin Grand Prix in 1938, but Seaman was the winning driver and his decision to race for Germany means he has been written out of the history books. Former racing drivers, race historians and archive footage combine to tell his story
I'm afraid that blurb doesn't fill me with confidence as regards the accuracy of this programme .....
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#2
Posted 03 January 2004 - 14:25
#3
Posted 03 January 2004 - 16:14
It might be a programme which has been crafted together with really serious intent by some pretty good people...
But on the other hand...it might not be, 'cos the one I am thinking of was not meant to be screened so soon.
DCN
#4
Posted 03 January 2004 - 18:09
Originally posted by Vitesse2
Copied from onthebox.com:
20:00 Mon 12th Channel 4
Nazi Grand Prix
Mercedes won the Berlin Grand Prix in 1938, but Seaman was the winning driver and his decision to race for Germany means he has been written out of the history books.
Interesting, as they did this so thoroughly, that they eliminated that whole race from the history books and also brain-washed every spectator! :
#5
Posted 03 January 2004 - 19:37
#6
Posted 04 January 2004 - 00:26
The omens aren't good, are they?
#7
Posted 04 January 2004 - 09:18
WE know about him,but I read somewhere that the British Media hardly mentioned his German GP win at the time. Thus the 'brainwashing' referred to was by Fleet Street,not the Nazis.Originally posted by Eric McLoughlin
How come he was written out of the history books and we all know about it?
The omens aren't good, are they?
#8
Posted 04 January 2004 - 10:27
This mindset restricted national newspaper coverage of any Le Mans or (moreso) Grand Prix success - but importantly it did NOT totally ignore it.
In contrast the British specialist magazines provided often more extensive and better detailed coverage of such events than their counterparts in the host nations - most particularly Germany, where even the 'specialist' press in general seems to have provided pretty dreadfully inept and meagre racing coverage.
Think of - say - hockey or curling today and consider the press exposure accorded those sports.
That's just the way it used to be with 'our' game. Nothing so sinister - nor so blind - as brainwashing there... Seaman's German GP win did not receive meagre British national coverage just because he was driving a German car - though the coverage would have been better had he been driving a Rolls-Royce or an Austin - it received meagre British national coverage simply because motor racing was not at that time regarded as a majority-interest sport (or 'game').
DCN
#9
Posted 04 January 2004 - 12:29
"In England, I do not think it was ever appreciated, except among the comparatively close circle of motor racing enthusiasts. Yet it was as if a German had batted better than Bradman in Australia, a Frenchman had outplayed Babe Ruth at baseball in America or a Japanese had ridden the winning horse in a jumping competition in Italy."
I'd also like to reinforce what Doug says about the 1930s specialist press - anyone who's followed either of the European Championship threads will know that most of the best sources have turned out to be British or Swiss! The German press seems very inadequate in comparison, although the British are prone to a bit of jingoism: very often a British win in a supporting Voiturette race would merit bigger headlines in Motor, Autocar or Light Car than the main GP (and maybe even a longer report!)
#10
Posted 07 January 2004 - 08:45
#11
Posted 07 January 2004 - 09:37
http://forums.atlasf...&threadid=64896
#12
Posted 07 January 2004 - 16:52
Aditional info;Director,Clive Maltby,Producer,Lucy Mc Dowell.
#13
Posted 07 January 2004 - 17:46
It's like plunging a book into print without reading any proofs. This programme ought to be OK - and it ought to be thought provoking and to offer a new slant and new material - but you know - television... - - keep your fingers crossed.
DCN
#14
Posted 08 January 2004 - 08:41
They have recently been censured by Broadcasting Standards over alegations they made about the management of De Havilland in their documentary last year on the Comet disasters. Particularly, they were criticised for how they "duped" contributors (including John Cunningham, the test pilot) into giving interviews and then cut and edited these interviews to support their claims that De Havilland took part in a cover up to hide the shortcomings of the Comet' design. Poor Cunningham died before the programme was broadcast and never got the chance to lodge a complaint but other contributors did.
#15
Posted 08 January 2004 - 10:17
#16
Posted 08 January 2004 - 10:28
The people who founded SpeedVision in the US were very different - no contract, handshake agreement and then did absolutely everything they'd promised to do until it all exploded for other reasons after several years of great times. Likewise the people who have made this Seaman programme have seemed to be VERY different - highly academic, extremely bright, did absolutely everything they undertook to do in a most efficient, expeditious and friendly manner - despite my being very unfriendly and distant initially for reasons as above - so if this prog goes wrong I'd be very disappointed indeed if the responsibility is really theirs. But C4? As a Swiss friend of mine puts it - "in my experience ein bunch oph artz-herlzzz...". Oh well - fingers crossed...
DCN
#17
Posted 08 January 2004 - 18:01
Originally posted by Eric McLoughlin
As usual, Doug provides another interesting insight into the way the media (particularly C4) works.
They have recently been censured by Broadcasting Standards over alegations they made about the management of De Havilland in their documentary last year on the Comet disasters. Particularly, they were criticised for how they "duped" contributors (including John Cunningham, the test pilot) into giving interviews and then cut and edited these interviews to support their claims that De Havilland took part in a cover up to hide the shortcomings of the Comet' design. Poor Cunningham died before the programme was broadcast and never got the chance to lodge a complaint but other contributors did.
Indeed, much justified indignation about that particular sorry episode may be found here:
http://www.pprune.or...&threadid=56023
#18
Posted 08 January 2004 - 19:57
#19
Posted 08 January 2004 - 21:58
Originally posted by dolomite
Indeed, much justified indignation about that particular sorry episode may be found here:
http://www.pprune.or...&threadid=56023
Indeed... and elsewhere, for this quote on that forum is from a letter published in a magazine...
I explained all this in filmed interviews with the Channel 4 programme makers, Steve Ruggi and David Coward. Too technical and boring, perhaps. They edited it all out. But to state as fact that de Havilland refused to fatigue-rest the Comet 1 is just wilful untruthfulness. It makes you wonder how much you can believe of any Channel 4 documentary.
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#20
Posted 11 January 2004 - 10:53
#21
Posted 11 January 2004 - 14:14
#22
Posted 11 January 2004 - 15:48
DCN
#23
Posted 11 January 2004 - 16:51
#24
Posted 11 January 2004 - 17:54
It certainly is the sort of thing that gets reported these days, as we Brits love to read of a British win, so it would make sense if there was no "conspiracy theory", but it would be interesting to ask you good people's opinions regarding in all honesty whether grands prix featured that highly on their list of newsworthy sports at the time. To this day newspapers still seem ball sports orientated.
#25
Posted 11 January 2004 - 20:09
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Regretably it seems that only when a driver was killed did the press report motor racing.
It was so with R J B Seaman - his death in 1939 merited more lurid coverage than praise for his win in the 1938 German GP.
The Brits were none too interested in European Championship races because we had not got the technical knowhow to compete with M-B and A-U. The Bentley Boys and Brooklands were about our limit.
Wonder if they will reveal who made the arrangemnts for tending to his grave?
As for him being written out of history because he drove for M-B - what rot - Dick is known to true enthusiasts who study the history of the Sport. Only the peasants too concerned with balls have never heard of him.
Maybe someone could be persuaded to do a documentary on the whole of the 1939 season - now that might put the cat among the pigeons!
#26
Posted 12 January 2004 - 08:19
#27
Posted 12 January 2004 - 14:40
sorry to bounce this, just a reminder for all those with Channel4 (uk) that its on tonight!!!
#28
Posted 12 January 2004 - 17:46
#29
Posted 12 January 2004 - 20:20
edited to add ....I really enjoyed it
#30
Posted 12 January 2004 - 20:27
(possibly because I spend too much time and money chasing down obscure things they've introduced me to?;))
#31
Posted 12 January 2004 - 21:02
Well done to all involved.
John
#32
Posted 12 January 2004 - 21:03
I really had no expectations going in (ok, I thought it would be a hatchet job) and it turned out to be a very thoughtful, seemingly well researched programme, with lots of interviews (including DCN and John Surtees), plenty of footage, and being humanistic rather than sensationalist, just explaining the enormous pressure of being an outsider, being a racer, wanting to race, finding himself caught up in a German national team preparing for war.
Great stuff.
And didn't the footage of the Mercedes leaping in the air at Donington look sensational.
#33
Posted 12 January 2004 - 21:14
#34
Posted 12 January 2004 - 21:18
#35
Posted 12 January 2004 - 21:20
#36
Posted 12 January 2004 - 21:22
Originally posted by hans stuck
Anyone feel like recording this for a Yank? Burn a DVD? Something?
Hi hans,
got it on DVD-R. If this is of any interest, PM me and I'll do what I can to get it to you
#37
Posted 12 January 2004 - 21:42
Obviously there are holes to pick - chiefly the 'writing out' of history of Seaman, which is more to do with the obsession with the World Championship than anything else, IMO - but thank the Lord people are still interested enough to commission and produce programmes such as this.
Oh, and yet again Ken Morse did the rostrum camera work. Is he the only person in Britain with a rostrum camera?
#38
Posted 12 January 2004 - 22:16
For which I am very thankful. Good on you Doug.Originally posted by condor
And our Doug Nye seems to be one of the main contributors.
It will be interesting to have your verdict on the 'finished article' now that we've seen it.
The first motor racing book I ever read and thoroughly absorbed was George Monkhouse's Motor Racing with Mercedes-Benz , and Richard Seaman's involvement naturally made a lasting impression. I have it beside me now, and comparison is inevitable after watching the program.
The title was unfortunate, and the political aspect slightly overdone, but it was far better than I had expected. As to Richard Seaman being 'forgotten' I beg to differ.
#39
Posted 12 January 2004 - 22:16
Originally posted by petefenelon
T'other half has just informed me that DCN reminds her of John Peel.
Interesting: every time I see John Peel I think of DCN. Neither should feel insulted....
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#40
Posted 12 January 2004 - 22:35
Too much made of what was a very half-hearted "Nazi" salute - I have seen that clip before, and to me it has always looked like a rather restrained English acknowledgement of a local custom. The English have traditionally always been much better at the "when in Rome etc." principle.
Second, I was delighted to see footage of R.J.B.S. driving his beautiful and very successful Delage. Unfortunately this appeared before the ERA part - and initially I said to myself: "Blimey! aren't they going to cover the ERA thing?" Later I thought "What a pity we didn't get to hear about Ramponi and the Delage!".
I would love to hear more about this famous row between R.M. and R.J.B.S.
However, most enjoyable.
And the Spitfire thing afterwards was very good too - excellent in fact.
PdeRL
#41
Posted 12 January 2004 - 22:42
What i did want to know, was about how he got into racing in the first place, his relationship with his parents etc, and for a one hour documentary i think we got the message pretty clearly.
For me it was nice to see Tom Wheatcoft on the television again, although i do wish they`ed have used his comments more than just a brief soundbyte here and there.
Overall i got what i wanted from the show. If i can watch a motor racing programme, and come away at the end feeling that i`ve learned something that i did`nt know previously, then for me that`s a job well done. On this occasion the elder statesmen in TNF got it wrong.
One quick question... I`ve heard so many times the story of the paint being scraped from the cars to get them down to the 750kg limit... but what colour were they painted in the first place before it became the silver? Somehow to this day i`ve never found out......
#42
Posted 12 January 2004 - 22:47
Pretty much my feeling, Pete. Crap at the start; good, then better in the middle, but tailed off a bit.Originally posted by petefenelon
Started off terribly, but the more of Chris Nixon, Tom Wheatcroft and DCN the better it got - and some of the archive footage was pretty good. On the whole - a program that started terribly and became very watchable when it concerned itself with racing.
Sins more of omission than anything else, really, although there was an extraordinary claim that Ferdinand Porsche created Auto Union! It was also implied that Whitney Straight's team was disbanded because of the death of Hugh Hamilton: that might have been part of the reason Straight retired, but I don't think one can ascribe it as the primary.
As VAR1016 pointed out there was no mention of Dick's switch from ERA to the ex-Howe Delage in 1936, even though the car was clearly seen: the casual viewer was left with the impression he drove "English cars" until he joined Mercedes. As Howe was mentioned in the programme, I'd have thought it could have been incorporated.
And Doug - please tell me that you prefixed those remarks about the (allegedly white - nigel red 5) paint being scraped off the Mercs with a caveat that it might not be true ......
#43
Posted 12 January 2004 - 22:48
Doug looked like he'd been trimmed specially for the program. I don't remember the beard looking that tidy last time I saw it!
Hey Doug, you seem to have been engaged all evening; I wanted to add my congratulations on your authorative contribution to something that even Susan said she enjoyed.
Allen
#44
Posted 12 January 2004 - 22:55
Originally posted by VAR1016
Too much made of what was a very half-hearted "Nazi" salute - I have seen that clip before, and to me it has always looked like a rather restrained English acknowledgement of a local custom. The English have traditionally always been much better at the "when in Rome etc." principle.
I agree. It was more of a wave than anything. Now the England football team in 1936 - they were real Nazi salutes!
John
#45
Posted 12 January 2004 - 23:00
Originally posted by VAR1016
My twopence-worth:
Too much made of what was a very half-hearted "Nazi" salute - I have seen that clip before, and to me it has always looked like a rather restrained English acknowledgement of a local custom. The English have traditionally always been much better at the "when in Rome etc." principle.
Second, I was delighted to see footage of R.J.B.S. driving his beautiful and very successful Delage. Unfortunately this appeared before the ERA part - and initially I said to myself: "Blimey! aren't they going to cover the ERA thing?" Later I thought "What a pity we didn't get to hear about Ramponi and the Delage!".
I would love to hear more about this famous row between R.M. and R.J.B.S.
However, most enjoyable.
And the Spitfire thing afterwards was very good too - excellent in fact.
PdeRL
Sorry, missed the prog, but who is RM? Raymond Mays? Did they have a row? Is that why he and Ramponi resuscitated the Delage (years ahead of it time of course...)
Thanks
Ian McKean
#46
Posted 12 January 2004 - 23:08
Yes - Mays. Seaman felt that, as a customer, he was getting second best to the works team, so took his car away from Bourne to set up his own garage with Ramponi and immediately improved his results. Ramponi persuaded Dick to buy the Delage and the rest is history ....Originally posted by Ian McKean
Sorry, missed the prog, but who is RM? Raymond Mays? Did they have a row? Is that why he and Ramponi resuscitated the Delage (years ahead of it time of course...)
Thanks
Ian McKean
#47
Posted 12 January 2004 - 23:21
Originally posted by ensign14
Oh, and yet again Ken Morse did the rostrum camera work. Is he the only person in Britain with a rostrum camera?
Ensign - you are a mind-reader!
[Edit: I think that after such lengthy service, he should become Ken Morse OBE - for services to rostrum cameras]
PdeRL
#48
Posted 12 January 2004 - 23:28
Originally posted by Ian McKean
Sorry, missed the prog, but who is RM? Raymond Mays? Did they have a row? Is that why he and Ramponi resuscitated the Delage (years ahead of it time of course...)
Thanks
Ian McKean
My understanding (from DCN's BRM book I think) is that Mays had supplied an allegedly new engine to Seaman, that was actually not all that new.
I think that a fly-on-the-wall's position at that "interface" would have been an experience....
By complete coincidence, I was today looking at a pair of camshafts with a similar history (NOT supplied by us I hasten to add )
PdeRL
#49
Posted 12 January 2004 - 23:35
I can put the file online, but it's about 400MB or more...
As for the program itself, it was rather interesting and I thoroughly enjoyed it
#50
Posted 13 January 2004 - 01:16
Paul, as I am in the U.S. and thus was unable to see the program, and with a passing knowledge of the Seaman story, I would sincerely appreciate your offer if you would kindly make it available. I'm sure that I'm not the only one who would download this documentary.Originally posted by Paul Taylor
Well, I'm offering the program to people if they desparately want to see it.
I can put the file online, but it's about 400MB or more
Many thanks. Sounds like a great production.